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Notes01/03/2019
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Meggi
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Meggi
Greatly helpful Review 20
Haddu myrrh?
Joah, habbich. A little...
A tame myrrh opens, far away from the dark smoke from Armani's 'Myrrh Imperiale', rather light-spicy (later I get closer to this impression). A pinch of herbaceous botany seems to me to be involved - on the other hand I don't feel much of the other promised plants. The fruit is reduced to a watery touch at the front, the flower is more aura than actress.
Instead, the next day of testing quickly revealed what had taken at least a few hours on the first day: wood, wood, wood. And unfortunately not exactly one of the most beautiful varieties. There are undoubtedly more evil representatives, but there is simply a tree-like, bana-like impact. The latter may have been partially introduced via the nutmeg splint; already in the past I had occasionally suspected that woody nutmeg via eugenol may have somewhat unfortunate parallels to the bitter end of the banana.
Anyway, on the second day the stupid banal wood destroys the anyway not exactly rousing scent. The myrrh soon flees into a kind of twitchy amber direction, which has little to oppose the latent building market and quickly finally retreats from it.
Conclusion: With 'Colonia Mirra' the paint was too fast off me. The whole thing seems to me to be very routinely cranked together. A short, disguised association with Davidoff's 'Leather Blend' in the opening phase confirms my feeling more than to refute it.
A tame myrrh opens, far away from the dark smoke from Armani's 'Myrrh Imperiale', rather light-spicy (later I get closer to this impression). A pinch of herbaceous botany seems to me to be involved - on the other hand I don't feel much of the other promised plants. The fruit is reduced to a watery touch at the front, the flower is more aura than actress.
Instead, the next day of testing quickly revealed what had taken at least a few hours on the first day: wood, wood, wood. And unfortunately not exactly one of the most beautiful varieties. There are undoubtedly more evil representatives, but there is simply a tree-like, bana-like impact. The latter may have been partially introduced via the nutmeg splint; already in the past I had occasionally suspected that woody nutmeg via eugenol may have somewhat unfortunate parallels to the bitter end of the banana.
Anyway, on the second day the stupid banal wood destroys the anyway not exactly rousing scent. The myrrh soon flees into a kind of twitchy amber direction, which has little to oppose the latent building market and quickly finally retreats from it.
Conclusion: With 'Colonia Mirra' the paint was too fast off me. The whole thing seems to me to be very routinely cranked together. A short, disguised association with Davidoff's 'Leather Blend' in the opening phase confirms my feeling more than to refute it.
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