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Notes03/26/2020
X57deadsoulx
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X57deadsoulx
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18
Daddies makin Monsters
Is the song of one of my favourite psychobilly bands "Demented are Go".
What does that have to do with the scent itself? Nothing to do with the scent itself,
but with Bogue.
I imagine Antonio Gardoni, in this case "Daddy", sitting in his "garden shed" and creating his little monsters with all kinds of wild substances. Fruits, flowers, animals and all of them colorful, mixed and lots of them. Frankenstein's monster would probably go green with envy if his "father" had assembled him from so many wonderful things. (This would probably not bring good to his damaged psyche).
The Bogues of the fragrance are not really real monsters themselves. They are special, special and exciting. That describes the scents better for me...
So where is the monster? The monster is in the durability and sillage of these fragrances. These scents take over their environment, maybe they scare some people... But why a generalization, although I actually want to write something about DOULEUR!?
Very simple:
DOULEUR! is for me the misunderstood head monster.
It surpasses its monster siblings once again in terms of durability and sillage. In addition, he is probably the most inaccessible of his siblings.
DOULEUR! means "pain" translated from the French In my opinion, that's a very good point
When spraying the first one on, the top note probably kills you, your nose hurts. At least, that's what happened to me. I simply inhaled too deeply and didn't expect to get such a strength blown through my olfactory organ.
A mixture of melon, here for me a galia melon "torn" by mint. Like a predator, the mint tears the melon apart. It is accompanied by a light, for me indefinable note. It could be seaweed Then it's the rose that kicks in, not just any rose. Here I have to agree with the previous speaker EmergeR, it reminds me here also of rose oxide that I know and love Alcane from Aether's Rose. For me, rose oxide seems cool, ethereal, almost somehow reminiscent of blood.
Rosenoxid has almost something of science fiction for me, so from now on it is a "Bloodsucking Rose from outer Space" ;)
More and more idiosyncratic background aromas are hitting the fragrance, cotton candy is noted and, to my mind, also appears in an entertaining way, but then the civet cat, which has run through the lavender field, attacks.
Everything is very finely interwoven with each other, whereby for me the rose oxide paired with melon and mint remains most perceptible. The remaining aromas flicker in the background and cheer on the unequal pair of fragrances.
The scent is certainly sweetish, but not gourmand, also no cotton candy or anything else. It is difficult to describe this sweetness, it is not a sweetness that is known from sugar. In addition, the coolness of the rose oxide and mint is permanently preserved and breaks the sweetness mentioned.
This fragrance will definitely split the mind. Either you love it or you hate it. There will be no in-between. But you should give it at least two chances instead of just testing it once and then throwing the bottle out of the window in fright. ;)
However, for me there is only one thing to say as a conclusion:
I find it incredibly beautiful, this fragrance has triggered something in me that not many fragrances create in this sense. It has conjured up colors in my head Perhaps this was also an intention of Mr Gardoni and Albrighton. Mr Albrighton is a tattoo artist.
Doeuleur means pain... The scent conjures up a colourful picture in my head. Rose oxide reminds me of blood...
All in all, I imagine the whole thing in something like this:
A tattoo artist, tattoos his client. It becomes a colorful old-school motif. The metal needle dips into the paint and spreads a little bit of the pigments over the workbench. The artist uses a magnetic coil machine. The familiar sound of a tattoo machine lights up the shop with its penetrance, the needle penetrates the skin. A slightly throbbing pain flows through the customer. Little by little, blood emerges from isolated spots, which the artist wipes clean little by little. The session ends after over 12 hours. Afterwards the artist asks his client: "Was it worth the pain?"
The customer replies: "Every single second."
What does that have to do with the scent itself? Nothing to do with the scent itself,
but with Bogue.
I imagine Antonio Gardoni, in this case "Daddy", sitting in his "garden shed" and creating his little monsters with all kinds of wild substances. Fruits, flowers, animals and all of them colorful, mixed and lots of them. Frankenstein's monster would probably go green with envy if his "father" had assembled him from so many wonderful things. (This would probably not bring good to his damaged psyche).
The Bogues of the fragrance are not really real monsters themselves. They are special, special and exciting. That describes the scents better for me...
So where is the monster? The monster is in the durability and sillage of these fragrances. These scents take over their environment, maybe they scare some people... But why a generalization, although I actually want to write something about DOULEUR!?
Very simple:
DOULEUR! is for me the misunderstood head monster.
It surpasses its monster siblings once again in terms of durability and sillage. In addition, he is probably the most inaccessible of his siblings.
DOULEUR! means "pain" translated from the French In my opinion, that's a very good point
When spraying the first one on, the top note probably kills you, your nose hurts. At least, that's what happened to me. I simply inhaled too deeply and didn't expect to get such a strength blown through my olfactory organ.
A mixture of melon, here for me a galia melon "torn" by mint. Like a predator, the mint tears the melon apart. It is accompanied by a light, for me indefinable note. It could be seaweed Then it's the rose that kicks in, not just any rose. Here I have to agree with the previous speaker EmergeR, it reminds me here also of rose oxide that I know and love Alcane from Aether's Rose. For me, rose oxide seems cool, ethereal, almost somehow reminiscent of blood.
Rosenoxid has almost something of science fiction for me, so from now on it is a "Bloodsucking Rose from outer Space" ;)
More and more idiosyncratic background aromas are hitting the fragrance, cotton candy is noted and, to my mind, also appears in an entertaining way, but then the civet cat, which has run through the lavender field, attacks.
Everything is very finely interwoven with each other, whereby for me the rose oxide paired with melon and mint remains most perceptible. The remaining aromas flicker in the background and cheer on the unequal pair of fragrances.
The scent is certainly sweetish, but not gourmand, also no cotton candy or anything else. It is difficult to describe this sweetness, it is not a sweetness that is known from sugar. In addition, the coolness of the rose oxide and mint is permanently preserved and breaks the sweetness mentioned.
This fragrance will definitely split the mind. Either you love it or you hate it. There will be no in-between. But you should give it at least two chances instead of just testing it once and then throwing the bottle out of the window in fright. ;)
However, for me there is only one thing to say as a conclusion:
I find it incredibly beautiful, this fragrance has triggered something in me that not many fragrances create in this sense. It has conjured up colors in my head Perhaps this was also an intention of Mr Gardoni and Albrighton. Mr Albrighton is a tattoo artist.
Doeuleur means pain... The scent conjures up a colourful picture in my head. Rose oxide reminds me of blood...
All in all, I imagine the whole thing in something like this:
A tattoo artist, tattoos his client. It becomes a colorful old-school motif. The metal needle dips into the paint and spreads a little bit of the pigments over the workbench. The artist uses a magnetic coil machine. The familiar sound of a tattoo machine lights up the shop with its penetrance, the needle penetrates the skin. A slightly throbbing pain flows through the customer. Little by little, blood emerges from isolated spots, which the artist wipes clean little by little. The session ends after over 12 hours. Afterwards the artist asks his client: "Was it worth the pain?"
The customer replies: "Every single second."
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Emorandeira
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