01/08/2021

Tradescantia
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Tradescantia
Top Review
13
Tradition - craftsmanship and emancipation in one bottle
Chanel No. 19 Edp, my third favorite perfume.
It opens with galbanum and seems strict. It is not a bit playful and I feel that is very appropriate here.
Neroli loosens up the top note a bit, but you can't talk about softening it.
The green of the perfume is just the right color. It is not dark, but bright, but just not directly left out. The fragrance is serious and does not want to please, yet it comes with many. For me best for working and learning. The head becomes downright free.
No note seems synthetic.
The flowers slumber magnificently in the base accord: rose, hyacinth, ylang-ylang and jasmine. In and of itself, this would have to act quite heavy, but it does not. Rather, a certain freshness always resonates, reminiscent of expensive cosmetics. Really creamy, however, the perfume is not. It is too tart and woody for that. The transition to the classic base note is subtle and grounds the whole. Oak moss as an elementary building block. A touch of leather, some sandalwood. Discreet and neat.
I don't put this on to go down well somewhere, I put this on because I really like it.
However, he is so serious for me that he does not always fit, but that should also be no claim and is only individual feeling.
I think it's nice that you can also wear it in the summer.
I do not like to do without intense floral fragrances, just because the temperatures rise.
In case of doubt, of course, it is still necessary depending on the occasion.
My grandma has always complimented this fragrance on me, which touched me, because she herself hardly used perfume.
I find the fragrance very emancipated and a sign of how well Chanel has mastered the balancing act between innovation and tradition for years.
Matching music... Definitely Beethoven.
An inspiring personality to whom this perfume would have suited: Erna Scheffler. The first female judge to rule for the Federal Constitutional Court.
Of course, this is only a subjective and somewhat emotional impression, but I just want to express how special I find Chanel No. 19.
Almost indispensable. Erna Scheffler, on the other hand, was not indispensable.
Thanks to her, women can express themselves As they see fit.
It opens with galbanum and seems strict. It is not a bit playful and I feel that is very appropriate here.
Neroli loosens up the top note a bit, but you can't talk about softening it.
The green of the perfume is just the right color. It is not dark, but bright, but just not directly left out. The fragrance is serious and does not want to please, yet it comes with many. For me best for working and learning. The head becomes downright free.
No note seems synthetic.
The flowers slumber magnificently in the base accord: rose, hyacinth, ylang-ylang and jasmine. In and of itself, this would have to act quite heavy, but it does not. Rather, a certain freshness always resonates, reminiscent of expensive cosmetics. Really creamy, however, the perfume is not. It is too tart and woody for that. The transition to the classic base note is subtle and grounds the whole. Oak moss as an elementary building block. A touch of leather, some sandalwood. Discreet and neat.
I don't put this on to go down well somewhere, I put this on because I really like it.
However, he is so serious for me that he does not always fit, but that should also be no claim and is only individual feeling.
I think it's nice that you can also wear it in the summer.
I do not like to do without intense floral fragrances, just because the temperatures rise.
In case of doubt, of course, it is still necessary depending on the occasion.
My grandma has always complimented this fragrance on me, which touched me, because she herself hardly used perfume.
I find the fragrance very emancipated and a sign of how well Chanel has mastered the balancing act between innovation and tradition for years.
Matching music... Definitely Beethoven.
An inspiring personality to whom this perfume would have suited: Erna Scheffler. The first female judge to rule for the Federal Constitutional Court.
Of course, this is only a subjective and somewhat emotional impression, but I just want to express how special I find Chanel No. 19.
Almost indispensable. Erna Scheffler, on the other hand, was not indispensable.
Thanks to her, women can express themselves As they see fit.
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