If you listen around, look around a little Youtube and browse the World Wide Web a little - best of all to fragrances, of course - you might quickly notice that there have been and still are some hype here and there. We're talking about Sauvage, Paco Rabanes Proll ... uh... Gold bars and then also the old venerable perfume house Creed, which created itself with "Aventus" the Cash Cow par excellence. "Royal Oud", together with some other Creed fragrances, seems to have receded into the background due to that hype - absolutely undeserved, I think.
"Royal Oud has only one thing in common with Aventus. I'm talking about being smooth that just keeps you from getting turned on. Even this test candidate here, who already has the actually very polarizing oud note in his name, is a good candidate for almost any nose. However, this is by no means done by a shower gel freshness that is becoming more and more fashionable or by any Ambroxan escapades, but by the successful warping of spice, wood and creaminess.
"Royal Oud" starts very loud and lively, as it seems to be typical for Creed. The above-average amount that lands on the back of my hand with just one spray should be responsible for this as well. At the beginning I hear a lemon, which is slowed down a little by the presence of bergamot, whereby the olfactory beginning does not become too sour, too biting. The question of the toilet block hidden in the room is thus skilfully avoided. The pepper begins at the same time and gives the fragrance a very pleasant spice right from the start. So you know where you're going.
The citric-spicy character is now changing, as Galbanum and the Lebanon Cedar, highly praised in the scent table, are used. Galbanum helps to give the fragrance a subtle green juiciness that is reminiscent of our native conifers. For me, the whole thing has a resinous component that reminds me of a walk in the woods. The Lebanon cedar enters into a beautiful connection with this resinous one, in that the entire smell picture knows to captivate now by a very soft and above all light woodiness, which distinguishes itself by the aroma typical for cedar only. Thus, the resinous does not gain the upper hand.
It would be interesting to know how the oud is doing. This is available - don't worry. But it's very defused, just exactly according to Creed's aspirations, just not too much to touch. You have to please everybody.
The oud here has neither a medical nor an animal touch. Also, it is not dark and mystical as you would expect from other oudbombs it is. We find it here in a form that is slightly bitter, so light that that bitterness really contrasts this soft and aromatic woodiness in the most beautiful way. Maybe this bitterness is what Creed understands by "rough edges". But please, my dear scent gurus from such a renowned house - these are no "corners and edges", you don't get angry with them, don't provoke, don't cause confusion or overstrained noses. But all right, it's not so bad. The musk and the sandalwood in the base note show that the oud is perhaps only an alibi component for you to do justice to the general oud hype, to earn a little from it. So a little sweetness, caused by the musk, you wanted to integrate into your spicy woody and above all aromatic composition, as well as a creaminess coming from the sandalwood. All this seems to have the function not to bring the whole thing too spicy to the customer. I told you, you're too scared to get a little sticky, not to please everybody. But - I repeat myself - everything is not so bad. Your scent is good, even very good. It also radiates the first three hours extraordinarily and is still clearly perceptible on my wrist after five hours. I guess he'll be there after six, seven, eight hours, but then really close.
To all the perfumes out there:
Try this fragrance, because perhaps you will find here a noble companion, which appears much more serious than a fruity "Aventus". The royal oud may not be particularly spectacular and not too prominent for the niche, but you can't do much wrong with it. Only the account should wrinkle its nose and raise its eyebrow at "do not do much wrong", because it will ask you if you would really be willing to spend so much money on a not too unusual fragrance. But what a lot of money is, what is extraordinary and what is so popular olfactorically should always be answered individually