06/22/2021
Serenissima
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Serenissima
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Rose Dew
Her face still veiled by a layer of powder, she turns to us:
Is she beautiful or just expressive?
In any case, "Rose Kabuki" from the house of Christian Dior loves the grand entrance; raise the curtain for her, and she awakens.
The dense layer of powder of the night disappears as if through a dewdrop bath and the full beauty of this rose beams at us.
François Demachy succeeds excellently in this rosy homage to Japanese "Kabuki theatre".
He replaces the latter's familiar facial makeup with a not-quite-as-dense-but-still-very-perceptible layer of musk in his rose, which seems strong yet delicate (it could have come from one of Christian Dior's beloved rose gardens).
What might be too much of it, a tender bath of fresh dewdrops removes, leaving a radiant rose of particular beauty.
She dresses in vivid pink, punctuated here and there by sensuous white.
And again we meet rose-pink and creamy musky-white, the theme of this fragrance.
Or perhaps rather Christian Dior's beloved delicate pink with a slight white-gray shimmer?
One remains true to oneself in the house of Dior.
Refined he is already, this Monsieur Demachy!
From only three fragrance building blocks, he creates a floral fragrance reminiscent of lushly bloomed roses freshly cut in the morning and dusts with a delicate hand musk over this so feminine rose bouquet.
Thus, "Rose Kabuki" is a rose fragrance for the confident woman who commands the stage immediately after the curtain rises for her. She does not have to be loud - she is present from the first moment and remains so for hours!
She doesn't need to cover herself with powder, but shines as if born through dew, in her own feminine beauty.
"Rose Kabuki" is for me not only a tribute to the theater of the same name; this fragrance is at the same time dedicated to every woman.
After all, Christian Dior loved women and flowers, saw in them the most beautiful of creation.
Is she beautiful or just expressive?
In any case, "Rose Kabuki" from the house of Christian Dior loves the grand entrance; raise the curtain for her, and she awakens.
The dense layer of powder of the night disappears as if through a dewdrop bath and the full beauty of this rose beams at us.
François Demachy succeeds excellently in this rosy homage to Japanese "Kabuki theatre".
He replaces the latter's familiar facial makeup with a not-quite-as-dense-but-still-very-perceptible layer of musk in his rose, which seems strong yet delicate (it could have come from one of Christian Dior's beloved rose gardens).
What might be too much of it, a tender bath of fresh dewdrops removes, leaving a radiant rose of particular beauty.
She dresses in vivid pink, punctuated here and there by sensuous white.
And again we meet rose-pink and creamy musky-white, the theme of this fragrance.
Or perhaps rather Christian Dior's beloved delicate pink with a slight white-gray shimmer?
One remains true to oneself in the house of Dior.
Refined he is already, this Monsieur Demachy!
From only three fragrance building blocks, he creates a floral fragrance reminiscent of lushly bloomed roses freshly cut in the morning and dusts with a delicate hand musk over this so feminine rose bouquet.
Thus, "Rose Kabuki" is a rose fragrance for the confident woman who commands the stage immediately after the curtain rises for her. She does not have to be loud - she is present from the first moment and remains so for hours!
She doesn't need to cover herself with powder, but shines as if born through dew, in her own feminine beauty.
"Rose Kabuki" is for me not only a tribute to the theater of the same name; this fragrance is at the same time dedicated to every woman.
After all, Christian Dior loved women and flowers, saw in them the most beautiful of creation.
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