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Notes02/06/2017
Rickbr
190 Reviews
Rickbr
OUDH Infini
I left Oudh Infini at last in my journey of brand evalution precisely because of the most controversial air surrounding its existence. The constant launching of oud-themed perfumes in the marketplace has made people saturated and not very tolerant. It only complicates if such a perfume has a price and luxury positioning - today many reviewers falsely believe that the easiest thing to do is to buy the available agarwood bases in the market and make a creation that emulates the complex and complexion of the resin generated by the infection of Aquillaria trees. This is not only not true as approaching OUDH Infini with such a prejudiced view certainly closes the eyes to the fact that Pissara has been able to maintain here the animalistic aura of the wood at the same time that it makes a multifaceted creation and with a evolution in the more classic and French style of perfumery.
It is interesting how OUDH Infini seems orchestrated around the absolute of agarwood of good excelence, one of those with nuances that refer to barnyard and cheese. As much as these words may sound scary (and indeed they are), there is an interesting care in balancing the elements in the composition while strengthening the richness that makes it an expensive perfume. In addition to the Agarwood, I have the feeling that in OUDH Infini there is an excellent quality of natural absolute of civet and castoreum, which complement the nuances of the note giving it an animalic aura with a certain vintage feeling as well. It is interesting that there is also citrus floral nuances that act in the background balancing the weight that would be the composition if it were composed only of animal and heavy elements. As time passes on the skin, OUDH Infini extends the naturalness of its main raw material with a quieter woody base, where it is possible to perceive the cypriol by playing the oudh at the base in conjunction with vetiver and musks. Vanilla finishes giving a creaminess to the intense animalic tone of the composition and rounds very well the whole work. After passing the heavier and more challenging opening OUDH Infini behaves like a classic scent, demonstrating different aspects of its personality on different days. Sometimes more woody, sometimes more animalic and even with a musky and clean civet scent. It is a very interesting perfume that certainly delivers what it charges for.
It is interesting how OUDH Infini seems orchestrated around the absolute of agarwood of good excelence, one of those with nuances that refer to barnyard and cheese. As much as these words may sound scary (and indeed they are), there is an interesting care in balancing the elements in the composition while strengthening the richness that makes it an expensive perfume. In addition to the Agarwood, I have the feeling that in OUDH Infini there is an excellent quality of natural absolute of civet and castoreum, which complement the nuances of the note giving it an animalic aura with a certain vintage feeling as well. It is interesting that there is also citrus floral nuances that act in the background balancing the weight that would be the composition if it were composed only of animal and heavy elements. As time passes on the skin, OUDH Infini extends the naturalness of its main raw material with a quieter woody base, where it is possible to perceive the cypriol by playing the oudh at the base in conjunction with vetiver and musks. Vanilla finishes giving a creaminess to the intense animalic tone of the composition and rounds very well the whole work. After passing the heavier and more challenging opening OUDH Infini behaves like a classic scent, demonstrating different aspects of its personality on different days. Sometimes more woody, sometimes more animalic and even with a musky and clean civet scent. It is a very interesting perfume that certainly delivers what it charges for.
