How to achieve the inner peace and comfort that only a high culture can create with its intelligent means.
Here Geza Schön has radically implemented and logically defined an " art of perfume " in his self-image as a chemist and " craftsman "
In terms of perfume history, Molecule 01 is the successor of Jicky and No.5.
The paradigm shift took place only in the exchange of aldehydes and Iso - E - Super ?
If he imitates (k)a natural scent like this one and if he sets the technique as a possibility absolutely ?
If intimacy is valued, the personal mercantile: finally eschatologically Ent - fremdet?
Essentially, it is technical, chemical progress that has made it possible to make perfumes more creative and to move away from imitating pure " images of nature ".
The present result is a synthetic ketone scent with low reactivity. Of undoubted quality, IFF.
Vague evocations of wood and green, freshness and musky moments, removed fruity.
A pulse with high-frequency feedback coupling. And with far-reaching interference effects.
An olfactory sound source, heat-bearing. Of highest omnipotence, which is universally used - a Great Attractor.
The monocultural olfactory image occupies the skin with a contemporary indifference, which allows the carrier material to be identified as an indeterminate part of a functional group without wanting or having to take personal responsibility for it.
Refusal and exclusion that coexistence under control.
Often in the regressive mode of attachment anxiety, the insecure self is offered a coping strategy as an option, which molecularly isolates the ambiguity of feeling, of the world itself, ultimately the interpersonal. A protective suit
A rejection; instead of individuality/ individuation now self-confident mass conformity. Instead of plurality profane unambiguity.
The recourse to the simplest common denominator is understandable as a protest against monopolies. As a basic attitude cynical and of ubiquitous disposition.
The pheromone as a concession of reproductively persistent needs, integrated in a sales-promoting way. A construct, of course!
The myth of skin chemistry remains multi-resistant virulent.
The medio-recourse to one-dimensional 'ambiguities' as a stylistic device, to anachronistic and Eurocentric 'imagos', sets the vanishing points for the preferred epistemological instruments and then results in the personalized meaning of the work: episteme of vanity
A conformist commitment to one's own present as an unconditional belief in the future. The delusion of eternal youth as an ephemeral fragrance - trend in a polycyclic concept evidently enriched in the sequence of perception deficits and confirmations as a rejuvenation cure with gerontophobic aspects. Denying one's own history at an exorbitant price of participation.
Class situation, lifestyle, cultural practice and gender largely determine " the difference ".
The substituted aroma becomes unquestionable as a fragrance in the hermeneutics of its production process: What disappointment - deception ?
As a solution of specific weight, exploited in a ' Corporate Identity ' of corporate objectives and their corresponding marketing strategies,
the subject objectifies itself in the use of an odour as the machine of tomorrow and becomes a pharmacological sediment; at the mercy of the inescapable presence of artificial scents and aromas; soft-rinsed.
The dictatorship of cleanliness gives birth to hopeless, self-satisfied dreams - hardly washable, let alone metabolizable. Enrichment beyond time.
Handle synthetic wood derivatives and generate added value in steam space analysis; an efficient service.
As a diuretic for the reduction of odour nuisance, however, no first-line recommendation; contra-induced!
Automated aesthetics. The longing of the doll body. Autonomous monads.
An above average - power sensitive being, this molecule.
E.T.A.Hoffmann laughs
According to its primary structure, Molecule 01 would be best classified as "Minimal Art" and the art of concept and action; however, in its deficit-tautological, purely mercantile expressiveness, it does not refer to its performative qualities and semiotic coherence; moreover, far from developing a fragrant sensitivity on the skin, the ketone does not possess any poetic density!
The fragrance, the perfume as an autonomous work of art does not exist, it fails per se because of the "aura" of its communicability; a priori through and through the carrier of meaning - in reproduction.
Here is not used to jump into the void, but only the hard impact on the plywood plate fades away.
Since, according to my information, Geza Schön was decidedly not interested in art, it is obsolete anyway.
After all, in his sincerity, his attractiveness remains in nothing below him.
Nevertheless, a "loss of the middle" is not to be feared, since the molecules are already everywhere, more or less parodistically present, integrated and permanently generate themselves performatively as simulacra.
- Eureka : It is so. -
That it serves a purpose for others is open to everyone! Significant arbitrariness
If you have to keep up, you keep running back and forth excited.
Unfortunately, I do not find here any strict beauty that is irrevocably locked up in her sense, and I do not consider this to be desirable either.
I know I know nothing
I guess I'm smarter about that than one or the other. And about nothing more than sharing a searching self with a questioning body
Do I learn to forget immediately that I can apply my knowledge? - astonishment is an old philosophical virtue and many a good piece of advice comes from the barrel
Are the thoughts only in the things ?
"...the brains, as always, smooth beds... "...the brain..
Ignorance is sometimes a gift that only the knowing can appreciate.
To please the crowd is to displease the wise.
The truth is reasonable to man.
Malice and poverty do not.
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