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Notes05/18/2020
Floyd
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Floyd
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31
The small church on the coast
You wrote about the church on the coast, about the sea and the seagulls so picturesque that I asked you to send me a picture and you fulfilled my wish. Now I walk far above the crashing waves on the flank of peaceful cliffs and find you sitting there at the foot of a church with a view towards the ocean.
Then suddenly everything is silent movie. I watch the movement of the image spellbound, see the bright, almost citric incense moving in slow motion from the gate of the small chapel to the cliffs, accompanied by balsamic benzoin drops, saturating itself on the dark haze of the warm dry earth, the cloud changes colour again and again, shining brightly, shimmering amber-brown, cooling down on the edge of the cliff, where the wind swirls the turquoise image of the ocean into the billowing laundry room.
A few impressions later the painting seems to calm down, the cloud warms the wind from the sea a little, Mytre mixes green herbs into the blue painting, shimmers faintly eucalyptus from somewhere, white salt crust grows on the skin, the sea foams again the calming rhythm of the crashing warm waves. It is beautiful here. It could be like that this summer **
"Unda Maris 8" is a very unusual aquatic exhibit. While at the beginning the light incense note, which for me here is very excitingly interwoven with earthy patchouli, balsamic benzoin and the smallest amounts of vanilla and tonka to a smoother version of an oriental incense, still sneaks around the aquatic note separately, the notes embed themselves more and more into each other as the process progresses, the aquatic gets the upper hand a bit, cautiously green notes come to light, before the fragrance darkens more and more into the resinous. Apparently Sorcinelli presents us here with a funny pyramid puzzle.
The cap of the flacon represents the register of an organ tone, consisting of two organ bars that make the tone oscillate, slightly shifting the phase of the two tones and thus creating a "wave of the sea".
The projection of the scent is moderate for about one hour, before it can be perceived up close for about four hours afterwards. "Unda Maris 8" is for me a reflection of the meditative peace and warmth of a day by the sea.
(With thanks to Fragressman)
Then suddenly everything is silent movie. I watch the movement of the image spellbound, see the bright, almost citric incense moving in slow motion from the gate of the small chapel to the cliffs, accompanied by balsamic benzoin drops, saturating itself on the dark haze of the warm dry earth, the cloud changes colour again and again, shining brightly, shimmering amber-brown, cooling down on the edge of the cliff, where the wind swirls the turquoise image of the ocean into the billowing laundry room.
A few impressions later the painting seems to calm down, the cloud warms the wind from the sea a little, Mytre mixes green herbs into the blue painting, shimmers faintly eucalyptus from somewhere, white salt crust grows on the skin, the sea foams again the calming rhythm of the crashing warm waves. It is beautiful here. It could be like that this summer **
"Unda Maris 8" is a very unusual aquatic exhibit. While at the beginning the light incense note, which for me here is very excitingly interwoven with earthy patchouli, balsamic benzoin and the smallest amounts of vanilla and tonka to a smoother version of an oriental incense, still sneaks around the aquatic note separately, the notes embed themselves more and more into each other as the process progresses, the aquatic gets the upper hand a bit, cautiously green notes come to light, before the fragrance darkens more and more into the resinous. Apparently Sorcinelli presents us here with a funny pyramid puzzle.
The cap of the flacon represents the register of an organ tone, consisting of two organ bars that make the tone oscillate, slightly shifting the phase of the two tones and thus creating a "wave of the sea".
The projection of the scent is moderate for about one hour, before it can be perceived up close for about four hours afterwards. "Unda Maris 8" is for me a reflection of the meditative peace and warmth of a day by the sea.
(With thanks to Fragressman)
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