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Notes03/05/2019
Serenissima
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Serenissima
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12
a halo - hung on horns
"Ange ou Démon" has occupied me again and again for some time now: it is a fragrance that carries both in itself!
Women can be angels, wreathed with garlands of flowers; but very quickly they can become prickly: then the devil shows his horns and often also his horse's foot!
Then it is often said to take the feet in the hand and take flight!
In general they are then called Zicke!
Givenchy leaves here a refined "hermaphrodite creature" from the linen/flacon:
The first perceptible fruity spice is born from mandarin (here not as synthetic as unfortunately often) and strong thyme.
Mandarin is the softer variant of thyme than the lemon, which is often used as an antithesis.
This makes the prelude less fresh, but more nose friendly for me: it doesn't bizzel like that.
Saffron is a noble addition; a luxury good also here - an invitation to enter this world of fragrance: the door there is now open, the "Red Carpet" rolled out.
However, now "Ange ou Démon" shows his horse foot: the powdery scent of the orchid frightens me again this time.
It is, like gardenia, a hurdle that I always have to jump over when getting to know a fragrance - sometimes with more, sometimes with less success!
Fortunately, the splendour of the white lily interferes here just in time; these large white flower funnels with the golden, sometimes also saffron-red stamens generously exude their aroma.
This is pure and clear as the white lily blossom and covers the powder layer of the orchid.
Now the bright flashing of Ylang-Ylang.
is a perfect match So far, "Ange ou Démon" wears a white angel's robe from which the little horse's foot flashes out for a moment. Has the scented angel secretly cut a slit into it?
The devil is sick of it now: he enters this fragrance room and has a particularly nice dose of oakmoss in his luggage!
And kidnaps somir in a deeper, darker scent area, which is very tempting.
Those who follow it meet an erotically warm, creamy, flowing vanilla stream, richly perfumed with the sweetness of the tonka bean: the goddess of love has married herself to the darker side of the power of fragrance here.
Here she does not blow quietly to attack the senses; she seduces directly, not exactly subtly.
"Ange ou Démon" is an angel who sometimes gives his halo to the wardrobe.
There the devil grabs him and hangs him over his horns!
It always does both of them good - otherwise life would be too calculable, too boring.
Am I dealing here with a devilish angel or an English devil?
This question will certainly keep me busy for a while: my judgement is always different - depending on the form of the day and the time of day.
Is that perhaps intentional?
"Ange ou Démon" can stay with me a little longer; maybe I'll get behind his secret.
Will I end up in heaven or hell?
I'm sure it'll be interesting.
Women can be angels, wreathed with garlands of flowers; but very quickly they can become prickly: then the devil shows his horns and often also his horse's foot!
Then it is often said to take the feet in the hand and take flight!
In general they are then called Zicke!
Givenchy leaves here a refined "hermaphrodite creature" from the linen/flacon:
The first perceptible fruity spice is born from mandarin (here not as synthetic as unfortunately often) and strong thyme.
Mandarin is the softer variant of thyme than the lemon, which is often used as an antithesis.
This makes the prelude less fresh, but more nose friendly for me: it doesn't bizzel like that.
Saffron is a noble addition; a luxury good also here - an invitation to enter this world of fragrance: the door there is now open, the "Red Carpet" rolled out.
However, now "Ange ou Démon" shows his horse foot: the powdery scent of the orchid frightens me again this time.
It is, like gardenia, a hurdle that I always have to jump over when getting to know a fragrance - sometimes with more, sometimes with less success!
Fortunately, the splendour of the white lily interferes here just in time; these large white flower funnels with the golden, sometimes also saffron-red stamens generously exude their aroma.
This is pure and clear as the white lily blossom and covers the powder layer of the orchid.
Now the bright flashing of Ylang-Ylang.
is a perfect match So far, "Ange ou Démon" wears a white angel's robe from which the little horse's foot flashes out for a moment. Has the scented angel secretly cut a slit into it?
The devil is sick of it now: he enters this fragrance room and has a particularly nice dose of oakmoss in his luggage!
And kidnaps somir in a deeper, darker scent area, which is very tempting.
Those who follow it meet an erotically warm, creamy, flowing vanilla stream, richly perfumed with the sweetness of the tonka bean: the goddess of love has married herself to the darker side of the power of fragrance here.
Here she does not blow quietly to attack the senses; she seduces directly, not exactly subtly.
"Ange ou Démon" is an angel who sometimes gives his halo to the wardrobe.
There the devil grabs him and hangs him over his horns!
It always does both of them good - otherwise life would be too calculable, too boring.
Am I dealing here with a devilish angel or an English devil?
This question will certainly keep me busy for a while: my judgement is always different - depending on the form of the day and the time of day.
Is that perhaps intentional?
"Ange ou Démon" can stay with me a little longer; maybe I'll get behind his secret.
Will I end up in heaven or hell?
I'm sure it'll be interesting.
7 Replies
Jazzy76
