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Lola82 
Isabelle1 07/05/2019
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Serenissima
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Serenissima
Greatly helpful Review 17
Su! del Nilo a sacre lido ...
Of course I immediately remember the huge choir from Verdi's "Aida": the priesthood, led by the high priest Ramphis, the Pharaoh and his entourage go "to the holy shores of the Nile" to ask for the blessing for a renewed war of Egypt against Ethiopia.
Among them are also the general Radames and the slave Aida.
The further story is known until its bitter end for the two lovers.
Verdi has once again skilfully set a "crowd of people" to music; not only this one covers the stage in waves, but also the sounds are powerful and remain in the memory.
Especially natural if you spent a warm summer evening with it in the Arena di Verona.
Then, even after years, the "goose-bump feeling" is still spreading regularly with every note.
For Hermès' "Un Jardin sur le Nil" the "holy river" must have washed a lot of fertile soil.
For what has settled down in this garden: not only the green, which likes to stand with its feet in the water, but also unexpected flowers can be found.
Grapefruit and mango go a little under with me first of all: the tomato tendril dominates with its defiant smell.
Like geraniums, tomatoes react very stubbornly when they are touched: they let our noses know that they don't like it at all.
Its aroma is correspondingly strict, but not unwelcome here as a fragrance prelude. The bitter freshness of the grapefruit, which flickers here quietly, harmonises well, but quickly goes down.
Calamus, a swamp plant, native to this garden, accompanied by a slightly camphor-like scent in the fragrant green. He must also play his part in this composition: the result is strange, even if surprisingly pleasant.
Hyacinth and peony, both not sparingly scented as is well known, lend the strong ambience not only radiant colours but also a special charm: floral scents spread and extend the rich green aromas with luminous facets.
The fragrant impression - I feel like Claude Monet's "Water Lily Pictures", the "Nymphea" - is underlined by the beauty of the lotus blossoms.
(Last I saw lotus blossoms in the old "Victoria Regia" house of our Botanical Garden. For a long time it was closed because of construction work and I remember getting this typical Berlin answer to my question about the reopening: "Good woman! Do you know when the BER will open? Well, look!"
Meanwhile the new Victoria Regia house can be visited again.)
These multi-layered green tones flatter the sense of smell and create the illusion of a garden "influenced" by the favour of a river in the truest sense of the word Wonderful incense, here as partner of the light wood of the sycamore maple, leads back to my comment title: smoky resins underline the charm of this living fragrance; the entry of the priesthood into the temple seems to take shape.
"Un Jardin sur le Nil locks me in with all its magic.
After passing through the gate that Hermès opens here for me, I not only feel refreshed.
No, even my senses seem pleasantly invigorated and I perceive many things that otherwise tend to glide past me in summer heat.
The "holy river" has awakened here a quite unusual fragrance garden; its essence was bottled in flacons and accompanied for some summer hours, before the fragrance quietly says goodbye.
What remains on my skin is a slight hint of peonies; more suspected than really perceived.
Beautiful and hospitable he is, this green garden, in which always a light humidity is to be felt.
This Hermès garden fragrance still holds the magic of its beginnings; apparently its creation was not yet a "must": an originality surrounds me.
Therefore many thanks to Meggi, who provided me with this sample. He made this sensual journey possible for me
Among them are also the general Radames and the slave Aida.
The further story is known until its bitter end for the two lovers.
Verdi has once again skilfully set a "crowd of people" to music; not only this one covers the stage in waves, but also the sounds are powerful and remain in the memory.
Especially natural if you spent a warm summer evening with it in the Arena di Verona.
Then, even after years, the "goose-bump feeling" is still spreading regularly with every note.
For Hermès' "Un Jardin sur le Nil" the "holy river" must have washed a lot of fertile soil.
For what has settled down in this garden: not only the green, which likes to stand with its feet in the water, but also unexpected flowers can be found.
Grapefruit and mango go a little under with me first of all: the tomato tendril dominates with its defiant smell.
Like geraniums, tomatoes react very stubbornly when they are touched: they let our noses know that they don't like it at all.
Its aroma is correspondingly strict, but not unwelcome here as a fragrance prelude. The bitter freshness of the grapefruit, which flickers here quietly, harmonises well, but quickly goes down.
Calamus, a swamp plant, native to this garden, accompanied by a slightly camphor-like scent in the fragrant green. He must also play his part in this composition: the result is strange, even if surprisingly pleasant.
Hyacinth and peony, both not sparingly scented as is well known, lend the strong ambience not only radiant colours but also a special charm: floral scents spread and extend the rich green aromas with luminous facets.
The fragrant impression - I feel like Claude Monet's "Water Lily Pictures", the "Nymphea" - is underlined by the beauty of the lotus blossoms.
(Last I saw lotus blossoms in the old "Victoria Regia" house of our Botanical Garden. For a long time it was closed because of construction work and I remember getting this typical Berlin answer to my question about the reopening: "Good woman! Do you know when the BER will open? Well, look!"
Meanwhile the new Victoria Regia house can be visited again.)
These multi-layered green tones flatter the sense of smell and create the illusion of a garden "influenced" by the favour of a river in the truest sense of the word Wonderful incense, here as partner of the light wood of the sycamore maple, leads back to my comment title: smoky resins underline the charm of this living fragrance; the entry of the priesthood into the temple seems to take shape.
"Un Jardin sur le Nil locks me in with all its magic.
After passing through the gate that Hermès opens here for me, I not only feel refreshed.
No, even my senses seem pleasantly invigorated and I perceive many things that otherwise tend to glide past me in summer heat.
The "holy river" has awakened here a quite unusual fragrance garden; its essence was bottled in flacons and accompanied for some summer hours, before the fragrance quietly says goodbye.
What remains on my skin is a slight hint of peonies; more suspected than really perceived.
Beautiful and hospitable he is, this green garden, in which always a light humidity is to be felt.
This Hermès garden fragrance still holds the magic of its beginnings; apparently its creation was not yet a "must": an originality surrounds me.
Therefore many thanks to Meggi, who provided me with this sample. He made this sensual journey possible for me
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