Collection Homme

Thé Brun 2005

Thé Brun by Jean-Charles Brosseau
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6.9 / 10 29 Ratings
A perfume by Jean-Charles Brosseau for men, released in 2005. The scent is spicy-smoky. It is still in production.
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Main accords

Spicy
Smoky
Woody
Fresh
Floral

Fragrance Pyramid

Top Notes Top Notes
BergamotBergamot CardamomCardamom Green leavesGreen leaves MelonMelon CinnamonCinnamon Ozonic notesOzonic notes PineapplePineapple
Heart Notes Heart Notes
JasmineJasmine LavenderLavender VioletViolet Lily of the valleyLily of the valley Orange blossomOrange blossom
Base Notes Base Notes
Lapsang Souchong teaLapsang Souchong tea IrisIris RosewoodRosewood OakmossOakmoss Powdery notesPowdery notes SandalwoodSandalwood AmberAmber MuskMusk VanillaVanilla VetiverVetiver CuminCumin

Perfumer

Ratings
Scent
6.929 Ratings
Longevity
6.524 Ratings
Sillage
5.624 Ratings
Bottle
6.525 Ratings
Submitted by Lissy, last update on 10.04.2024.
Interesting Facts
The fragrance is part of the "Collection Homme" collection.

Reviews

2 in-depth fragrance descriptions
1
Pricing
5
Bottle
9
Sillage
10
Longevity
0.5
Scent
Dzarsos

27 Reviews
Dzarsos
Dzarsos
1  
A Tea-Drinker's Nightmare
Oh boy, is Thé Brun's opening rough! It is incredibly antiseptic, and has a weird “the smell of a cast going on” top note, combined with a Bactine and slightly funky Band-Aid accord. I sprayed this on a piece of cloth first, to test it, and I was so off-put by the opening that I genuinely cringed and held my breath when I finally decided to put it on my skin. I’m not sure what notes are causing it, but I highly recommend that you don’t dive nose-first into this one. It is not at all pleasant.

After about five minutes, it does start to evolve, thankfully, but the evolution is not terribly much better, to be frank. One can just barely detect a waft of melon lending a touch of sweetness behind the “old hospital” top, which slowly opens up a bit, to a pretty in-your-face floral accord.

The first sign of the evolution is a slightly petrol-ish, leather-ish tone, that I have to assume is the violet playing with the other florals and cardamom. This gives away, slightly, to an old-school soapy feeling, heavy with lavender, lily-of-the-valley, and jasmine forming a kind of blossoming bouquet atop the omnipresent medicinal (and slight petroleum) vibe.

*

Notably, off clothing, the evolution is somewhat different, as this phase is sharp – almost tart – with bergamot and orange blossom being brought much more into focus, sitting above the “on skin” scent in a way that I’m afraid is really quite unpleasant to my nose. The combination of sharp, astringent fruit and medicinal flowers kind of reminds me of the smell one gets upon killing (or otherwise irritating) a brown marmorated stink bug. It’s sharp, it sticks in the throat and nostrils, and it has a slightly “acrid watermelon” feel to it that makes me involuntarily curl my lip in disgust.

…Then, just for fun, it goes full-on alcohol and antiseptic.

I cannot recommend highly enough that you do not spray this on your clothing. It’s horrible.

*

Thankfully, on skin, Thé Brun finally starts to turn into something that is vaguely wearable at around the 30-minute mark. At this time, it enters a phase that rather strongly reminds me of Eight and Bob’s “Cap d’Antibes”, which I am going to assume is due to the cinnamon and violet (flower here, leaf there) that they share, with a little underlying sweetness coming from vanilla. It is here, at last, starting at about 15–20 minutes into the evolution of the scent, and fully shifting at around 30–35 minutes, that it finally begins to smell somewhat pleasant. In fact, if you like Cap d’Antibes, this phase should be right up your alley – they are remarkably alike at this point.

Then, at long last, around 40 minutes into this tea-centric fragrance, one can finally pick up a discernible tea note – but it’s not a particularly pleasant one. It’s a black tea you forgot you had steeping, and when you go back to drink it, hits you with a blast of sharp tannin concentrate. Or the dregs of a pot of smoked green tea. Given that it’s what I came here for, it is, like the rest of my experience with this fragrance thus far, a massive letdown.

I’ve heard this fragrance being touted as “like an Earl Grey you can wear” and other similarly hyperbolic claims, and, well… if I ever received a cup of Earl Grey that smelled like this, I would immediately send it back, under the assumption that it had gone off.

**

In the end, the best thing that I can say for this is that, once the dry-down hits, it smells a fair bit like Cap d’Antibes, and therefore can be neatly covered up by the generous application thereof. My inner tea drinker viscerally recoils at the idea of ever being faced with a pot of tea emanating this sort of aroma, and I am properly befuddled that so many seem to find it so pleasant. Is it because it was made by Pierre Bourdon? If so, I can only shake my head in disappointment – better noses than he have created worse stinkers than this one, and he is not infallible, either (lookin’ at you, “Individuel”).

Even after letting this sit on my skin for another hour or so, and sincerely hoping it would turn into something worthy of the praise that it has received, I was only met with disappointment - and Thé Brun was met with a vigorous over-application of Cap d'Antibes.

Oh, well. They can’t all be winners, I guess, and at least I had the perfect antidote waiting in the wings.

2/10
0 Comments
ColinM

516 Reviews
ColinM
ColinM
Helpful Review 2  
Exotic oddity!
What an odd scent this is. At first, Thé Brun smells actually quite as a faithful, vibrant, extremely pleasant representation of some traditional Chinese tea (I thought of the Oolong, too). Genuine dark brown leaves out of the bag. Quite a complex and really vivid structure of earthy, pungent, dry nuances blended with an uplifting fruity-herbal-balsamic heart and some really mild sweet-vanillic-floral nuances. Now, the odd part is that to my nose there’s at least two other major accords which smell at the same time perfect, and completely random; a really bold, fairly cheap and almost acrid sort of musk-hedione base (sort of a damp, grassy, slightly milky and extremely musky accord with a hint of pungent fruitiness) and a greyish, ashy-rubbery note, quite synthetic as well, the same exact kind of ashy-mossy rubberiness found in Bulgari Black, or in several works by Rasquinet (notably the MiN NY line, or Bois d’ascèse). It’s a dark grey, dusty, salty yet slightly camphorous feel similar to ambergris (on fire) which for some reasons, goes just perfectly with the brighter earthy-herbal tea heart of the fragrance and the sort of “lactonic” musky-green accord - which is quite bold as well, with also nuances of tarragon and bamboo (and some woods too, but I can’t detect them in detail). I know it may be hard to imagine how Thé Brun smells overall, and in fact it’s quite a unique and complex blend – not necessarily a good thing (but well, it kind of is here).

So basically, for me Thé Brun smells initially and for quite a while, like a sort of intricated hybrid between something like O de Lancome pour Homme and something like Bulgari Black, both gravitating around a grey-brownish balsamic heart of woody-earthy dry tea leaves. Quite fascinating overall, honestly a bit screechy but for some reasons, with a really peculiar and overall fascinating feel of “something smells wrong, but I can’t stop sniffing it” (most surely it’s the fruity nuances meeting the rubbery-ashy ones causing that). It feels like a bizarre mosaic of diverse inspirations – the archaic heritage of Oriental tea, the smell of a moldy grass field under the rain, and a whole range of artificial smells of rubber, ash, dirt, damp wood, wet concrete. So well, now that I think of it, it may make sense to connect these inspirations and imagine a shabby suburban teahouse in some desolated Chinese metropolitan district. Somewhere you can still drink an excellent cup of tea, just not in a postcard setting, but rather sitting in front of a crippled window looking at uncultivated grass bushes erupting out of an abandoned parking lot. I’m not entirely sure whether Brosseau wanted to evoke such a forlorn post-communist atmosphere, but it’s still better than the usual Oriental clichés in perfumery.

Anyway, back to the actual smell: pretty linear for a while, until the grassy-herbal-tea heart progressively vanishes and on the other hand, the ashy-musky base becomes warmer, gentler, in a way absorbing the top notes as if the whole tea-herbal stuff evolves and disappears as a result of an “infusion” among the base notes. At this time some of the screechy “oddness” is gone, and Thé Brun gets surprisingly refined and soothing, with a discreet smoky-musky presence with a sprinkle of amber yet still a bit grassy and balsamic, lasting quite long and projecting just fine.

I’m not entirely sold, but this is surely quite worthy a sniff.

7-7,5/10
0 Comments

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