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05/15/2018
Meggi
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Meggi
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Only an evening Pareto optimum
Orange with nimm2-impact and a hint of cheese foot bergamot. In addition a slightly musty canned fruit noise. Apricot maybe. Another lead would be the "peaches" of Haribo. With both it is spontaneously difficult for me to make a connection to "elegance" or "luminous".
Besides, I can't follow the promised botanical notes decidedly, I'd have to swell them up, so to speak, by looking at the fruit as extracted from a fruity rose, by interpreting the sweetness as a lily-of-the-valley swelliness and by ticking off jasmine. Not that I would be keen on wafting blymerance, but something more than (for me) almost unfathomable, floral-obstige generalities I had already expected. This reminds me of the listless all-inclusive fruit Pamps from 'Modern Classic for Women' by Brocard and 'The Collector - Morning Muscs' by Alexandre J - two unfortunately unenthusiastic references. Even their touch of more or less cheaper chocolate I find again today.
In the course of some hours it slowly gets creamier, I smell first of all pasty sandalwood at the threshold to the H-cream, that is also not delightful. At noon I gradually recognize a quiet duet of orange and amb(e)r(a) that makes me think from a distance of L'Artisan's 'Séville à l'Aube'. After all, because it leads me at least solidly through the afternoon and in the evening the scent is able to climb a kind of "Pareto-Optimum" when a musky creamy orange-jasmine amb(e)r(a)-note develops downright sexy ambitions.
Pareto Optimum. A state in which it is - roughly speaking - no longer possible to improve something in a matter without at the same time having to make other things worse. One of those thoughts and concepts that typically emerge in the sphere of so-called economics and that can often be sorted somewhere on a direct line between "practically useless" and "self-evident". Here I just want to say: I think the fragrance has reached its individual best, more is not possible
The hook at the Pareto Optimum: It is often illustrated by the picture of a hiker who with difficulty has climbed a mountain peak and now proudly stands up there. Suddenly the clouds disappear, the fog lifts and before the eyes of the brave climber the mighty panorama of the Alps rises. Related to the more successful rear part of 'Eleganza Luminosa', the majestic peaks for me are concretely represented by the already mentioned 'Séville à l'Aube' as well as by Pierre Guillaume's 'Parfumerie Générale - 19 Louanges Profanes'.
I thank MisterE for the rehearsal.
Besides, I can't follow the promised botanical notes decidedly, I'd have to swell them up, so to speak, by looking at the fruit as extracted from a fruity rose, by interpreting the sweetness as a lily-of-the-valley swelliness and by ticking off jasmine. Not that I would be keen on wafting blymerance, but something more than (for me) almost unfathomable, floral-obstige generalities I had already expected. This reminds me of the listless all-inclusive fruit Pamps from 'Modern Classic for Women' by Brocard and 'The Collector - Morning Muscs' by Alexandre J - two unfortunately unenthusiastic references. Even their touch of more or less cheaper chocolate I find again today.
In the course of some hours it slowly gets creamier, I smell first of all pasty sandalwood at the threshold to the H-cream, that is also not delightful. At noon I gradually recognize a quiet duet of orange and amb(e)r(a) that makes me think from a distance of L'Artisan's 'Séville à l'Aube'. After all, because it leads me at least solidly through the afternoon and in the evening the scent is able to climb a kind of "Pareto-Optimum" when a musky creamy orange-jasmine amb(e)r(a)-note develops downright sexy ambitions.
Pareto Optimum. A state in which it is - roughly speaking - no longer possible to improve something in a matter without at the same time having to make other things worse. One of those thoughts and concepts that typically emerge in the sphere of so-called economics and that can often be sorted somewhere on a direct line between "practically useless" and "self-evident". Here I just want to say: I think the fragrance has reached its individual best, more is not possible
The hook at the Pareto Optimum: It is often illustrated by the picture of a hiker who with difficulty has climbed a mountain peak and now proudly stands up there. Suddenly the clouds disappear, the fog lifts and before the eyes of the brave climber the mighty panorama of the Alps rises. Related to the more successful rear part of 'Eleganza Luminosa', the majestic peaks for me are concretely represented by the already mentioned 'Séville à l'Aube' as well as by Pierre Guillaume's 'Parfumerie Générale - 19 Louanges Profanes'.
I thank MisterE for the rehearsal.
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