10/01/2023
Parma
27 Reviews
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Portrait for now
I like 'Love Kills' a lot. It is a subtly physical rose-patchouli scent with great similarity to Malle's 'Portrait of a Lady'. Slightly leaner and more situated in the now than Paris Rose, which always seems slightly old-fashioned to me. The Milanese beauty mainly dispenses with incense and the usually very classic carnation and is more restrained despite also having enormous longevity. However, not quiet.
All this seems a bit more light-hearted and less serious compared to the Malle fragrance. Also opulently laid out, but more composed. Closer. Warmer. In addition, excellently tuned. Pleasing, without sacrificing a concise character.
As with many brands, this is nice accessory and possibly necessary to stand out from competitors and to appeal to a certain clientele, but for me rather uninteresting. I like him at least no more or less because of this thematic embedding and also do not recognize the reference (for me, for example, it is - if you get involved in this interpretation - a consolidated, mature love in the drydown and no ending with death, as they would like to know the brand narrative understood).
Scent progression:
It opens with a fruity-acidic rose, medium-dark, full-bodied and slightly sweet. Lightened by a citrusy draught, which gives the fragrance a delicate freshness until the end. It is underpinned by a soft, gentle animalicness that I would most readily describe as "skin in the evening". A restrained, warm physicality that makes the rose so interesting and attractive to me. Probably brought on by a combination of animalic musk in a creamy texture, slightly coarse-grained powdery ambrette seed and the subliminally synthetic, velvety-bodied ambergris. A restrained dose of patchouli contributes a spicy-earthy tone (not a cellar-musty one), reinforcing the aromatics and adding verticality. Deep in the drydown, the protagonist develops a beautiful soap-like feel that I've rarely smelled better in its almost silky nature - combined with the soft-spicy physicality. This creates the aura of an aromatic, elegant rose. Well-groomed and at the same time slightly insinuating.All this seems a bit more light-hearted and less serious compared to the Malle fragrance. Also opulently laid out, but more composed. Closer. Warmer. In addition, excellently tuned. Pleasing, without sacrificing a concise character.
Durability and Sillage:
Just as the fragrance character is somewhat less expansive than the Malle fragrance, the radiation and sillage are also reduced. One is discreetly perceived and in the room remains a slight hint of the fragrance. I myself perceive him easily throughout the day, without having to make an effort to do so.Conclusion:
'Love Kills' is in my eyes a successful on all levels, more suitable for everyday life and slightly more modern version of the very similar 'Portrait of a Lady'. Note on ingredients:
Ambrarome is a fully synthetic aroma substance that was developed as early as 1926 by the French company Synarome as an ambergris substitute. Its olfactory picture is described as "warm and enveloping ambery note with smoky nuances {and an} intense leathery and animalic heart {with} salty and mineral notes". However, I do not perceive smoky, leathery, salty and mineral facets in this fragrance. One notices its potentially scent-defining, urgent power, which is, however, prevented here by prudent use. However, I can imagine that this note could annoy one or the other in the long run something.Classification of the name:
III - III Love Kills is part of Masque Milano's Opera line. The Roman numerals in front of the actual name indicate the respective acts and scenes of the in-house, four-act fragrance opera, which colorfully picks up themes of life (experiences, places, moods, feelings, reflections, relationships, dreams). In this act, love - symbolized by the rose - plays the leading role. The blossoming and death of this elemental force is portrayed in a tragic love story. Inspired by Shakespeare's "Romeo and Juliet". As with many brands, this is nice accessory and possibly necessary to stand out from competitors and to appeal to a certain clientele, but for me rather uninteresting. I like him at least no more or less because of this thematic embedding and also do not recognize the reference (for me, for example, it is - if you get involved in this interpretation - a consolidated, mature love in the drydown and no ending with death, as they would like to know the brand narrative understood).
more info:
In 2020, 'Love Kills' was nominated for an Art & Olfaction Award in the 'Independent' category.
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