09/15/2019
Meggi
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Meggi
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Fall with the board in the booth
This is another real profum roman board. In other words, the central theme of 'Aquae Nobilis' falls directly into the room: Vetiver, the salt variant à la 'Sel de Vetiver'. Although the spritig-krautige contribution undeniably also plays an important role, it is in my opinion today placed in the second row - although the ranking admittedly only reveals itself in retrospect.
In the opening phase he gives the affair a medicinal twist, more medical liqueur than schnapps, supported at the front by a minty, rough, soapy tone. In the course of the morning he finally contributes a stable, herbaceous (expressly not spicy!) spice, rounded off with a little sweetness. In the afternoon a touch of "green soap" takes over this part. Rose geranium and oak moss may have their molecules in play.
But above all 'Aquae Nobilis' offers Vetiver. The special thing about it is the creamy, possibly typically Italian enamel, which in a distinctive interaction with the salty offers a stable fragrance for many hours, which really makes a difference.
Only in the evening, when a rather strong musk note is becoming more and more apparent, which even develops an almost animalic, viscous dominance towards the very back, I believe to have tracked down the creaminess from above.
Conclusion: Don't do things by halves, you can only say yes or no. I like it.
I thank Gerdi for the rehearsal.
In the opening phase he gives the affair a medicinal twist, more medical liqueur than schnapps, supported at the front by a minty, rough, soapy tone. In the course of the morning he finally contributes a stable, herbaceous (expressly not spicy!) spice, rounded off with a little sweetness. In the afternoon a touch of "green soap" takes over this part. Rose geranium and oak moss may have their molecules in play.
But above all 'Aquae Nobilis' offers Vetiver. The special thing about it is the creamy, possibly typically Italian enamel, which in a distinctive interaction with the salty offers a stable fragrance for many hours, which really makes a difference.
Only in the evening, when a rather strong musk note is becoming more and more apparent, which even develops an almost animalic, viscous dominance towards the very back, I believe to have tracked down the creaminess from above.
Conclusion: Don't do things by halves, you can only say yes or no. I like it.
I thank Gerdi for the rehearsal.
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