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Notes05/15/2019
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Alex1984
41 Reviews
Alex1984
Scent of a lover
Ravishing!
That’s the word that makes the most sense when talking about Femme, one of Edmond Roudnitska’s finest creations and one of the jewels of Rochas.
Review based on a Parfum de Toilette from the 70’s.
In the early 1940’s, with the devastation of WW2, fragrances sought to bring optimism and joy. Miss Dior was one, joyous and optimistic. Femme was another. But Femme was different; it was more sensual, more voluptuous. Originally dedicated to Hélène, the young wife of Marcel Rochas, it soon won the heart of its exclusive clientele and went public in 1944. Although it was created during a period of scarcity and post war devastation, Femme was incredibly rich, both in beauty and composition, featuring the now famous Prunol base from De Laire. Edmond discovered it in an abandoned warehouse and made copious use of it, creating the signature of Femme, and setting the path for future compositions.
With a strong connection to Mitsouko, the fruity chypre from Guerlain, Femme amplifies the peach lactones, and marries them with stewed apricots and plums and prunes, creating a boozy fruit compote. Ionones, with their violet and rose tonalities, create a sepia haze of deep oranges and browns that shimmer in a silver ray of light. It’s fruity in a decomposing nature, almost rotting, honeyed; and it’s the most erotic ripe fruit accord in modern perfume history.
Femme also makes use of warm spices; cinnamon, cumin (which degrades over time, making the vintage richer but also giving the impression it lacks cumin), cloves, with spicy carnation and a touch of rose and jasmine to create a tantalizing melange that feels warming rather than spicy. Rosewood, civet and castoreum, leather, resins and oakmoss in all its glory...they anchor Femme on skin for hours on end. It’s a candlelit glow, the warm embrace of a loved one finally returning home. Femme is sometimes oriental, more often than not chypre, but always gorgeous and profound. And this worn, lived in sensuality, is what makes her all the most appealing, less cerebral and more human than Mitsouko; they could be relatives, but while Mitsy was brought up among royalty, Femme had to fight her way through, gaining the experience that life brings the hard way.
Femme, like many classics, was inspired by others (Mitsouko) but also inspired many; the rosewood in Habit Rouge is highly reminiscent of the woody accord in Femme. The bergamot, furocoumarin heavy in the vintage, has a dark edge just like in Shalimar, another inspiration that lends certain smokiness to Femme. Quadrille, Jubilation 25, Mon Parfum Cheri...tributes to the artistry of Edmond. Le Parfum de Thérèse; Edmond’s tribute to his own wife.
There is a certain sensuality, eroticism, that Edmond knew how to infuse in his creations. He worked with many bases, he aged ingredients and created his own accords. His signature is complex, multifaceted, and never duplicated. There isn’t a creation of his that doesn’t scream elegance, carnality and beauty. And that’s why reformulations of his work are very inferior; they lack the artist’s touch.
Femme was kept more or less loyal to Edmond’s formula until the late 80’s when it was reformulated to comply with the first big waves of the fragrance industry. From there on, Femme has been losing its chypre character and beauty to slowly become a spicy oriental, which is what is sold today. The complex formulation of the past, with its myriad of ingredients and accords, alchemically composed in a scarce period, as if pure magic, is now a simpler spicy peach that somehow still retains some of its beauty. It’s been facelifted, tummytucked and botoxed, but underneath there is still a glimpse of la grande vieille dame!
Vintage: a spicy chypre, full on sensuality. Impecable, complex, engulfing. Not a single flaw.
Modern: a less complex spicy ‘chypriental’, light on oakmoss and animalic notes, heavy on spices and cumin to make up for lost ingredients.
That’s the word that makes the most sense when talking about Femme, one of Edmond Roudnitska’s finest creations and one of the jewels of Rochas.
Review based on a Parfum de Toilette from the 70’s.
In the early 1940’s, with the devastation of WW2, fragrances sought to bring optimism and joy. Miss Dior was one, joyous and optimistic. Femme was another. But Femme was different; it was more sensual, more voluptuous. Originally dedicated to Hélène, the young wife of Marcel Rochas, it soon won the heart of its exclusive clientele and went public in 1944. Although it was created during a period of scarcity and post war devastation, Femme was incredibly rich, both in beauty and composition, featuring the now famous Prunol base from De Laire. Edmond discovered it in an abandoned warehouse and made copious use of it, creating the signature of Femme, and setting the path for future compositions.
With a strong connection to Mitsouko, the fruity chypre from Guerlain, Femme amplifies the peach lactones, and marries them with stewed apricots and plums and prunes, creating a boozy fruit compote. Ionones, with their violet and rose tonalities, create a sepia haze of deep oranges and browns that shimmer in a silver ray of light. It’s fruity in a decomposing nature, almost rotting, honeyed; and it’s the most erotic ripe fruit accord in modern perfume history.
Femme also makes use of warm spices; cinnamon, cumin (which degrades over time, making the vintage richer but also giving the impression it lacks cumin), cloves, with spicy carnation and a touch of rose and jasmine to create a tantalizing melange that feels warming rather than spicy. Rosewood, civet and castoreum, leather, resins and oakmoss in all its glory...they anchor Femme on skin for hours on end. It’s a candlelit glow, the warm embrace of a loved one finally returning home. Femme is sometimes oriental, more often than not chypre, but always gorgeous and profound. And this worn, lived in sensuality, is what makes her all the most appealing, less cerebral and more human than Mitsouko; they could be relatives, but while Mitsy was brought up among royalty, Femme had to fight her way through, gaining the experience that life brings the hard way.
Femme, like many classics, was inspired by others (Mitsouko) but also inspired many; the rosewood in Habit Rouge is highly reminiscent of the woody accord in Femme. The bergamot, furocoumarin heavy in the vintage, has a dark edge just like in Shalimar, another inspiration that lends certain smokiness to Femme. Quadrille, Jubilation 25, Mon Parfum Cheri...tributes to the artistry of Edmond. Le Parfum de Thérèse; Edmond’s tribute to his own wife.
There is a certain sensuality, eroticism, that Edmond knew how to infuse in his creations. He worked with many bases, he aged ingredients and created his own accords. His signature is complex, multifaceted, and never duplicated. There isn’t a creation of his that doesn’t scream elegance, carnality and beauty. And that’s why reformulations of his work are very inferior; they lack the artist’s touch.
Femme was kept more or less loyal to Edmond’s formula until the late 80’s when it was reformulated to comply with the first big waves of the fragrance industry. From there on, Femme has been losing its chypre character and beauty to slowly become a spicy oriental, which is what is sold today. The complex formulation of the past, with its myriad of ingredients and accords, alchemically composed in a scarce period, as if pure magic, is now a simpler spicy peach that somehow still retains some of its beauty. It’s been facelifted, tummytucked and botoxed, but underneath there is still a glimpse of la grande vieille dame!
Vintage: a spicy chypre, full on sensuality. Impecable, complex, engulfing. Not a single flaw.
Modern: a less complex spicy ‘chypriental’, light on oakmoss and animalic notes, heavy on spices and cumin to make up for lost ingredients.
