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Notes03/28/2019
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Jazzbob
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Jazzbob
Greatly helpful Review 11
The bearable lightness of being
In addition to numerous oud scents, Xerjoff also has a penchant for citrus scents. Of course, this is a perfect match for Italy, where three fragrances were launched on the occasion of its 150th anniversary: Renaissance, Naxos and Zefiro. The brand impressively shows how differently Hesperides can be embedded with Nio (Neroli, tart, green, spicy and absolutely unsweet), Uden (lemon with cool freshness in contrast to the warm, slightly gourmand base) and Kobe (all components of the bitter orange used and exotic, oriental staged). Renaissance, on the other hand, goes a completely different way.
Right at the beginning, you are refreshed by a great mixture of citrus notes, of which lime stands out due to its tart acidity. Together with the mint, this results in a really tingling combination that is extremely natural and invigorating. In the background, however, a quality is immediately noticeable that I would describe as creamy and bright floral. Logically, this results in a somewhat feminine touch, but I don't see this as a problem, because every male wearer will simply feel wrapped in a light, clean robe. This effect is maintained for quite a while before the citric and floral notes gradually retreat and clear the way for the base. I can't filter out amber and patchouli, but the slightly dry cedar already and the discreet green impression remains, whereby the freshness of the mint changes into a rather spicy and, if you like, mossy direction. That's why Renaissance tends towards the masculine towards the end and even reminds me a little of 1828 (Jules Verne) by Histoires de Parfums, which smells a little spicier and even slightly smoky.
Both can easily be underestimated in terms of their projection, because despite the rather fresh, bright orientation of those, a very clearly perceptible veil remains in the air for hours. Unfortunately a sweetish note disturbs me equally, which is not particularly strong, but nevertheless quite present. Therefore, Renaissance should be sparingly dosed in midsummer. This perfume, which is not exactly cheap for Xerjoff, but affordable by Xerjoff's standards, is best suited for spring anyway. It also gives me personally an optimistic aura, like the increasing sunshine, the greening and blossoming nature in this season.
Right at the beginning, you are refreshed by a great mixture of citrus notes, of which lime stands out due to its tart acidity. Together with the mint, this results in a really tingling combination that is extremely natural and invigorating. In the background, however, a quality is immediately noticeable that I would describe as creamy and bright floral. Logically, this results in a somewhat feminine touch, but I don't see this as a problem, because every male wearer will simply feel wrapped in a light, clean robe. This effect is maintained for quite a while before the citric and floral notes gradually retreat and clear the way for the base. I can't filter out amber and patchouli, but the slightly dry cedar already and the discreet green impression remains, whereby the freshness of the mint changes into a rather spicy and, if you like, mossy direction. That's why Renaissance tends towards the masculine towards the end and even reminds me a little of 1828 (Jules Verne) by Histoires de Parfums, which smells a little spicier and even slightly smoky.
Both can easily be underestimated in terms of their projection, because despite the rather fresh, bright orientation of those, a very clearly perceptible veil remains in the air for hours. Unfortunately a sweetish note disturbs me equally, which is not particularly strong, but nevertheless quite present. Therefore, Renaissance should be sparingly dosed in midsummer. This perfume, which is not exactly cheap for Xerjoff, but affordable by Xerjoff's standards, is best suited for spring anyway. It also gives me personally an optimistic aura, like the increasing sunshine, the greening and blossoming nature in this season.
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