01/04/2021

Tradescantia
Translated Show original

Tradescantia
Helpful Review
9
Fresh sweet flower veil
This lovely floral and fresh in the attack eau de toilette is romantic, but does not fall into the girly, as is the case with some fragrances from Chloé.
Chloé fragrances are really not wrong, but they do not suit me.
To begin with, I particularly like Paris. The green notes I can not specify, but they add the necessary freshness. So the fragrance is wearable at any time. Although lilac and blue rain are not listed, these plants came directly to my mind. Somehow, they also fit the mood of the fragrance. Overall, I find it difficult to identify individual notes here. For me, it just creates a strong, dense yet delicate floral haze. The scent is a true bouquet of flowers, with a subtle soapy note. Without it, it would probably become too sweet. For a short time, it has something of freshly washed laundry fluttering through the wind in the middle of a flower garden. This note is not directly comparable to White Linen. It lacks the earthiness that contrasts in White Linen, yet there is a parallel. Both fragrances come from Sophia Grojsman.
I can recognize mainly rose, hyacinth, ylang-ylang and jasmine. Rose scents so often grab me in a weird way, sometimes I chase them for whatever reason. This one is not at all a typical representative of this category because of its diversity.
Yves Saint Laurent has always launched unusual fragrances and was considered a rebel within the fashion world; among other things, because of the invention of "Le Smoking": the tuxedo for ladies. Rive Gauche fits much better to this garment, which embodied the emancipation of women in the 60s. Paris is more gently rebellious. To my mind, it works best in the summer. The fresh green notes keep it from being too heavy. It is not at all stuffy in my opinion. A pleasant companion for almost all situations. One is never really badly dressed with it. At high temperatures it has the best projection. This leaves the environment with restrained dosage but still enough air to breathe.
The base is not very spectacular. I personally could have done without the clear sweetness in the base, but it also does not hurt the fragrance.
The 30 ml bottle is what I consider good design. It is triangular and has a nice cut that forms a geometric and symmetrical pattern. The glass feels valuable and the bottle is functional, it can even be stored well in a rather small sized handbag because of the shape and the lid fits tightly. You'd think that would be a given. But it isn't. The stopper is cylindrical, unlike the bottle. It comes in black and coral colors. Really aesthetic and practical.
Have fun testing and wearing.
Chloé fragrances are really not wrong, but they do not suit me.
To begin with, I particularly like Paris. The green notes I can not specify, but they add the necessary freshness. So the fragrance is wearable at any time. Although lilac and blue rain are not listed, these plants came directly to my mind. Somehow, they also fit the mood of the fragrance. Overall, I find it difficult to identify individual notes here. For me, it just creates a strong, dense yet delicate floral haze. The scent is a true bouquet of flowers, with a subtle soapy note. Without it, it would probably become too sweet. For a short time, it has something of freshly washed laundry fluttering through the wind in the middle of a flower garden. This note is not directly comparable to White Linen. It lacks the earthiness that contrasts in White Linen, yet there is a parallel. Both fragrances come from Sophia Grojsman.
I can recognize mainly rose, hyacinth, ylang-ylang and jasmine. Rose scents so often grab me in a weird way, sometimes I chase them for whatever reason. This one is not at all a typical representative of this category because of its diversity.
Yves Saint Laurent has always launched unusual fragrances and was considered a rebel within the fashion world; among other things, because of the invention of "Le Smoking": the tuxedo for ladies. Rive Gauche fits much better to this garment, which embodied the emancipation of women in the 60s. Paris is more gently rebellious. To my mind, it works best in the summer. The fresh green notes keep it from being too heavy. It is not at all stuffy in my opinion. A pleasant companion for almost all situations. One is never really badly dressed with it. At high temperatures it has the best projection. This leaves the environment with restrained dosage but still enough air to breathe.
The base is not very spectacular. I personally could have done without the clear sweetness in the base, but it also does not hurt the fragrance.
The 30 ml bottle is what I consider good design. It is triangular and has a nice cut that forms a geometric and symmetrical pattern. The glass feels valuable and the bottle is functional, it can even be stored well in a rather small sized handbag because of the shape and the lid fits tightly. You'd think that would be a given. But it isn't. The stopper is cylindrical, unlike the bottle. It comes in black and coral colors. Really aesthetic and practical.
Have fun testing and wearing.
3 Replies